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Jay Mayo Williams is a notable figure for his multifaceted contributions to American culture. He not only excelled as an athlete, making his mark in the early years of the National Football League, but also played a pivotal role in shaping the landscape of African American music. His work at Paramount Records, where he discovered talents like Mamie Smith and Papa Charlie Jackson, and later as the manager of Decca Records' race record division, showcased his keen eye for emerging artists and his role as a trailblazer in the music industry. Beyond his accomplishments in sports and music, Williams ventured into entrepreneurship, founding one of the earliest independent black record labels, Black Patti. His significant impact marks his enduring legacy on the careers of numerous artists, and his pivotal role in the development of African American music during a crucial period in its history. Jay Mayo Williams' influence extends beyond the gridiron, making him a noteworthy and respected figure in both the sports and entertainment industry.[1][2]
Jay Mayo Williams, born on July 25, 1894, in Pine Bluff, Jefferson County, Arkansas, was the son of W. Daniel Williams and Millie McFall Williams.[1][2][3] Tragedy struck the family in 1901, when Jay's father was murdered at Anderson Mill on the Cotton Belt Railway, just south of Pine Bluff.[4] Following this, Jay's mother moved the family to Monmouth, Warren County, Illinois, where he attended public schools and demonstrated excellence both academically and on the football field.[1][2][5]
By 1916, Jay had enrolled at Brown University, becoming a standout athlete known for his prowess in track and football. During his time at Brown, he lived in Monmouth, Warren County, Illinois, and continued to excel in both academics and sports.[1][2][6]
In 1918, amid World War I, Jay Mayo Williams enlisted in the United States Army as a private, serving until his discharge on January 21, 1919.[7][8] Post-war, he emerged as one of the pioneering black players in the National Football League (NFL) during its early years. He played for teams like the Canton Bulldogs, Dayton Triangles, Hammond Pros, and Cleveland Bulldogs, before concluding his football career in 1926. He earned the nickname "Ink" during this period.[1][2]
Jay's interest in music eventually took precedence over his athletic pursuits. Paramount Records, recognizing the demand for regional jazz and blues among African Americans, appointed him as the manager of their "Race Division" in Chicago. Under his guidance, Paramount discovered and promoted remarkable talents, such as Mamie Smith and Papa Charlie Jackson. Jay played a pivotal role in assembling and producing a roster of influential artists, including Ida Cox, Trixie Smith, Blind Lemon Jefferson, Tampa Red, and others.[1][2]
In 1927, Jay ventured into entrepreneurship by founding his own record company, Black Patti label, making him one of the early pioneers of independent black record labels in the United States. However, faced with intense competition from major record labels, the venture struggled.[1][2]
During the Great Depression, Jay temporarily left the music business to coach football at Morehouse College in Atlanta, Georgia. He returned to the industry in 1934, when Decca Records hired him as the manager of their race record division. At Decca, Jay continued to shape the landscape of African American music, working with artists like Mahalia Jackson, Alberta Hunter, Blind Boy Fuller, and Roosevelt Sykes.[1][2][9]
Criticism surrounded Jay, known as "Ink," for his ability to convince artists to sign contracts that may not always be in their best interest. Yet, his negotiation skills allowed him to secure additional revenue sources through rights to music or writing credits. After retiring from Decca in 1946, Jay Mayo Williams founded the Chicago, Southern, and Ebony labels, contributing to the development of African American music. He worked with notable artists such as Muddy Waters, Lil Hardin Armstrong, Bonnie Lee, and Oscar Brown.[1][2][10][11][12]
Jay Mayo Williams lived in Chicago, Cook County, Illinois, until his death on January 2, 1980.[1][2][7] He was buried at Burr Oak Cemetery in Alsip, Cook County[13], and in 2004, his significant contributions to the music industry were posthumously recognized with induction into the Blues Foundation's Blues Hall of Fame. Williams' enduring legacy is acknowledged, as he was credited with building one of the most productive careers of any African American in the phonograph business before World War II.[1][2]
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