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Marie-Clémentine "Suzanne" Valadon was born in 1865. She is the daughter of Madeleine Valadon.
She gave birth to a son, Maurice Utrillo, in 1883. Her friend Miguel Utrillo claimed paternity for the boy, but whether that’s accurate is unknown.
Suzanne married a wealthy stockbroker, Paul Georges Charles Mousis, on 65 August 1896 in Paris. The marriage record lists her as a painter. She was livining at 2 rue Cortot in Paris. The couple divorced in 1910,[1] and she married the painter, André Utter, in 1914. She divorced Utter in 1934.
From 1880-1893 she worked as an artists model, and was captured by famous painters including Jean-Jacques Henner, Pierre Puvis de Chavannes, Théophile Steinlen, Pierre-Auguste Renoir and Henri de Toulouse-Lautrec.
She worked under the mentorship of her friend, Edgar Degas to learn drawing and etching techniques, before becoming a painter in her own right.
In 1894, she became the first woman painter admitted to the Société Nationale des Beaux-Arts.
Her art was notable due to her depiction of female nudes, which were painted from a female perspective and therefore less idealized than the nudes created by male artists at the time.
In 1895, the art dealer Paul Durand-Ruel exhibited a group of twelve of her etchings which showed women in various stages of their toilettes. Later, she regularly showed at Galerie Bernheim-Jeune in Paris. Valadon's first time in the Salon de la Nationale was in 1894. She also exhibited in the Salon d'Automne from 1909, Salon des Independants from 1911; and Salon des Femmes Artistes Modernes, 1933-1938.
She passed away in 1938 in the 16th arrondisment, Paris, France[2] and is buried in Saint-Ouen Cemetery.[3]
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Categories: Cimetière Parisien de Saint-Ouen, Saint-Ouen-sur-Seine, Seine-Saint-Denis | 18e Arrondissement, Paris | Female Artists | French Artists | Painters | 16e Arrondissement, Paris | Notables