| Namatjira Kngwarriya was an Indigenous Australian. Join: Indigenous Australians Project Discuss: INDIGENOUS_AUSTRALIANS |
Namatjira (Albert) Ngwarriya [1] was a western Aranda man [2] His birth was registered at the Hermannsburg Lutheran Mission on July 28, 1902. [3] [4] west of Alice Springs. His totem, when born was Elea, however, he learned to use a single name, Albert, which was bestowed upon him by the Lutheran Church when he was a child. [1] He used this single name publicly until 1938 when he was honoured with a solo exhibition and he was prompted to sign his paintings with two names. This led him for a short time to sign his paintings with the name Namatjira Albert in recognition of the totem inherited from his father. However, later he would change this to Albert Namatjira on the advice of promoters from the art world, who thought this would resonate more with purchasers [1]
On Christmas Eve 1905 Elea's father, Namatjirritja, and mother Ljukuta were baptised at the Hermannsburg Lutheran Mission, after receiving 3 years of religious instruction. They were bestowed with the English names Jonathan and Emelia (Emilie) [1]. Elea was baptised at the same time and given the name Albert. However, he did not use this name for many years. He lived at the Mission and at age thirteen was initiated as an Arrente custodial knowledge holder.
In 1920 he eloped with his partner Ilkalita, whom he was not supposed to associate with according to kinship protocols. As a result, of this elopement, he was not permitted to stay at the Mission and was absent for three years [1]. He used skills he had learned at the mission such as carpentry, saddlery, leatherwork and blacksmithing, as well as experience with shearing and shearer and working as a stockman to survive during this time. In the time he was away, he conceived three children with Illaita, Enos (1920-1966) [5], Oscar (1922-1991) [6] and Maisie (1923-?) [7]. Maisie was born on his return to Hermannsburg in 1923. At this time of the their return, Ilkalita was also baptised and given the name Rubina. This enabled Elea and Ilkalita to be officially married at the Mission and rejoing in its activities.
Not long after their return their second daughter Hazel was born but she died early, in 1949. Next to come along were Martha (1929-1950) and Ewald (1930-1984). During this phase of his life he started to help raise money for the Mission by producing items such as boomerangs that displayed burnt pokerwork designs and polished mulga wood plaques, which were decorated with designs of native flowers, and of Central Australian landscapes with emus and kangaroos, accurately observed in the foreground; a program started by Pastor Albrecht who ran the Mission. This was before he met watercolourist Rex Batterbee and fellow artist John Gardner in 1934, and showed an interest in doing similar work. He was quick to learn the techniques of watercolour painting and applied them to landscape painting from an early stage. [citation needed] His fourth son Keith (1937-1977) [8] was born before his first Solo Exhibition was opened in 1938 by Lady Huntingfield, wife of the Governor of Victoria in Melbourne, and for the first time, he started using his name Albert to sign his pictures. All his pictures were sold at this exhibition (see Korff, Jens, 2018) [citation needed], along with those of other Indigenous artists at the Hermannsburg Mission. Then his fifth son and last child, Maurice were born in 1939 and like Keith lived to the age of 40, passing away in 1979. [9]
In 1944 he became the first Arrente man to be entered in 'Who's Who in Australia'. [10] In 1946, His Royal Highness, the Duke of Gloucester, then Governor-General of Australia, who was accompanied by the Duchess, visited Albert and witnessed him painting in Standley Chasm, 40 km west of Alice Springs. More Solo Exhibitions followed in Melbourne, Sydney, Brisbane and Alice Springs to 1952. In 1953 he was awarded the Queen's Coronation Medal, and in 1954 he was presented at Government House to Her Majesty Queen Elizabeth II and the Duke of Edinburgh. In 1955 he was elected an honorary member of the Royal Art Society of New South Wales. In 1956 he was greatly affected by the death of his father Jonathon. In 1957 Albert and his wife, Rubina, were awarded Australian Citizenship. [11]
This led to one of Albert's darkest periods, in 1958, when he was convicted of supplying alcohol to another Aborigine. He was sentenced to six months imprisonment but after a drawn-out legal battle had that reduced to 3. The traumas that affected his life in the last few years seemed to have resulted in severe depression and he passed away at the Alice Springs Hospital from hypertensive heart failure on August 8, 1959, [3] [4] and was buried the next day in the Alice Springs Memorial Cemetery. [3] His old friend, Pastor Albrecht of the Hermannsburg Lutheran Mission conducted the service. His wife Rubina outlived him by 15 years, dying in 1974. He did his last paintings at Papunya shortly before his death.
In 1968, he had been honoured to be the first-named Arrente man to appear on a postage stamp. He was also honoured 34 years after his death, in 1993, with his Ghost Gum painting also on a 45c stamp [12]. In 2002 a whole series of postage stamps was issued in Australia to commemorate Namatjira's centenary.
Suggested use of naming fields (please click on hyperlinks for definitions):
K > Kngwarriya > Elea Kngwarriya
Categories: Alice Springs Memorial Cemetery, Alice Springs, Northern Territory | Australia, Postage Stamps | Australia, Artists | Indigenous Australians | Hermannsburg Mission, Northern Territory | Alice Springs, Northern Territory | Arrernte | Indigenous Australians, Australia Managed Profiles | Australia, Notables in the Visual Arts | Notables
edited by Gillian Thomas
Namatjira was the totem of Enea's father. After being bestowed the name 'Albert' as a 'single' first name by the Lutheran Church, it would be used to sign his paintings. His traditional names were removed from him by the Hermannsburg mission. When he had his first solo exhibition in the 1930s, he was told that as an artist he should have two names. He began signing the paintings as Namatjira Albert taking his father's totem as a first name; as would appear appropriate to him. It was not until later that he was advised for legal reasons the identify this as a surname, despite this never being the case. This is how the name Namatjira first became associated with being a legal surname. It was a Western invention, which has since persisted.
His skin name (or last name) at birth was Kngwarriya. This name as significant in his life as at times it affected his relationship with Ilkalita. The name Namatjira only became a surname in the late 1930s at the behest of the art world which preferred to see it as a surname. As with the desire to see Albert posing with spears and a lack of clothing, this was designed to be able to sell more paintings, rather than the reflect his genealogy and traditions. So his LNAB was Kngwarriya and would remain so under the perspective of Arrente lore. His first name as a child was Enea. His first name as an adult was Namatjira. Under the direction of the art world and his Lutheran minders, his surname also became Namatjira, and by default so did his children. This is how the name Namatjira became associated with being a surname in Western culture in which Enea became renowned and suffered incredibly because of.
It would be great to see the naming fields of the profile shifted to represent these facts.